03 Conflict
Edito
If the word “conflict”, in first place, only evocates war or geopolitics, it seems important to us to avoid this pitfall and to push the word more towards compromises and differences of opinions. The conflict may be politically, military or social, but doesn’t it carry other potentials? The idea is not to simply narrate the conflict but to see how it can evolve, a creative, productive source, and a synonym of progress. How can conflict arise a form of energy, that sometimes, or often, is unexpected?
The conflict is a call for commitment, and by extension a call for desertion as well. To build or destroy, understand its contemporaneity and all its paradigm: it is the path of the concession and the compromise. Debate, discussion, impulsion, dynamic, resonance, echo: all the notions remind the conflict, but what about architecture and edition when they are confronted with it? In which space, whether it be virtual, imaginary, fantasized, over paper or in the city, do we express ourselves or do we debate?
Review
-
bonjour garçon studio
-
-
-
-
-
-
-
-
-
-
bonjour garçon studio
Détails de la revue
- Pli 03
- Publication September 2017
- Language french, english
- Size 160 × 240 × 22 mm
- Pages 288 p.
- Supplement 1 booklet 32 p.
- ISNN 2430 6401
- Print Run 1200 copies
- Papers Arcoprint Milk White 85g, Sirio Color Foglia 290g, Sirio Color Foglia 115g
- Printing Escourbiac (offset), PAPER! TIGER! (risograph printing), Print Van Paris (silkscreen printing)
- Distribution Pli Éditions
Description de la revue
The journal’s team and its 32 contributors (16 authors and 16 graphic designers and illustrators) went from thought to practice. Starting from their respective fields, the crash of disciplines transformed into an insightful and creative dialogue. The “text/image” pairs revolved around five themes dealing with traces and memories, the evolution of forms, languages and learning, emancipation and the mutation of trades. Points of view, discord and agreement intertwine to deliver a humane and positive definition of conflict applied to the fields of architecture and graphic design; and maybe transposable to many more.
19 articles
-
Confluence of memory and future
-
For every Light, a Shadow
-
Ephemeral vs. Perennial
-
Jerusalem, tools to resist, tools to dream
-
Interview
-
Modernism crises: building the Form of Time
-
Night stories Conflict at midnight
-
Interview
-
Withdrawal
-
The methods of teaching a general language and the architectural one’s
-
Architects of the sign
-
Who does architecture belong to?
-
Interview
-
Dynamic futures / Dynamite Futures: Utopias in conflict at the dawn and dusk of the world
-
Left playlet for a right angle
-
Movement and renewal: for a de–dramatization of conflict
-
Tender divides
-
See you on street view! Conflictualités entre réel et virtuel
-
Being Late
18 illustrations
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
32 × 24 cm
Contributeurs
-
Editorial team
- Christopher Dessus
- Marion Claret
- Adrien Rapin
- Julia Vallvé
-
Translation
- Fiona Filipidis
-
Graphic design
- Jean-Baptiste Parré
- with Aurélien Farina
-
Guests
- André Tavares
- Learning From Europa
- Aurélien Farina & Jérémie Bardet
-
Authors
- Ariane Arève Dreyfus
- Kiel Bonhomme
- Charlotte Allard
- Clarisse Genton
- Sébastien Hayez
- Léonore Conte
- Carlo Menon
- Sara Bouzgarrou
- Carla Frick-Cloupet
- Clément Rabourdin
- ArchiMakers
- Eliza Culea Hong
- Marie Tesson & Adam W. Pugliese
- Clémence Prévost & Constance de Revel
- Mai Anne Bénédic
- Foxtrot Collective
- BXLMRS
-
Illustrators
- Adèle Jolivard
- Amélie Lehoux
- Antine Beauvois
- Yann Bastard
- Atelier Bipoint
- Aurélien Farina
- GOMARHT
- L’ENCREUR
- Thomas Louzoum
- Magali Brueder
- Marie Guillard
- Nathalie Dupasquier
- L’Œil du pigeon
- Paul Loubet
- Séverine Dietrich
- Studio Fables
- Studio Les Canailles
- Super Terrain
Launch
Détails
September 27, 2017
Le Hasard Ludique, 128 avenue de St Ouen, 75018 Paris Learn moreDescription
For its third issue, Pli will be taking over a place in its image: Le Hasard Ludique in Paris. Birds of a feather flock together? Linked by similar values and approaches, even if evolving in different fields, these two entities will come together for a night, leaving room for musical exploration in a friendly atmosphere. Since the open call for papers and illustrations, it has taken nearly a year to concoct Pli 03: a variation on the theme of conflict in its broadest sense.
Team
-
Graphic design
-
Collaborations
-
Music show
Highlights
Medias
Exhibition
After three years working on the project of the review Pli, the team continues to wonder about publishing and work processes. Making an editorial object is already a research that feeds itself with different disciplines. In this sense, Pli wanted to test everyone’s work processes, authors and illustrators, by creating a form of ephemeral laboratory to question assumptions made since the beginning of Pli. We wanted to show the context of creation of the magazine through an exhibition that highlights the paper space and the correspondences between the different actors that enable this journal to exist.
Sous Pli
Julien Peyrou
Détails
November 16, 2017
Le 308 – Maison de l'Architecture en Nouvelle – Aquitaine, 308 avenue Thiers, 33100 Bordeaux Learn moreDescription
The exhibition Sous Pli, created in collaboration with the graphic designer Nicolas Delbourg (NDbrg), launches a process that commits contributors and illustrators to make tangible, the inaccessible back of the production of a collaborative work. Sous Pli inspects the backstage of physical production (printing: risography printing, silkscreen printing and offset printing) and conceptual (writing, exchange, debate, reflection); joint space of errors and successes, deletions and repealed sketches. It’s telling the story of the project, create a narrative in motion by the review’s pitfall and engage in a less fixed way of presenting it.
On this occasion, Bruum produced a film retracing all stages of editing the review, offset printing (by Escourbiac Printing), silk screen printing (by Escourbiac Printing also), risograohy printing (by Paper! Tiger! And Riso Presto in Paris). Many exchanges are also presented as clues to the design of the book (mails, letters, sketches), but also interventions by illustrators and authors in the space are encouraged.
Team
-
Scenography
-
Production and set-up
-
Graphic design
With the participation of
-
Oualalou + Choi
-
Overdrive
With the support of
-
BLF Impressions
-
France Rol
-
Boesner
-
Brumm, films et formes
-
Librairie Mollat
Sous Pli Photographies
-
-
-
Julien Peyrou
-
Julien Peyrou
-
Julien Peyrou
-
Julien Peyrou
-
Julien Peyrou
-
Julien Peyrou
-
Julien Peyrou
Julien Peyrou
Julien Peyrou
Julien Peyrou
Julien Peyrou
Julien Peyrou
Julien Peyrou
Julien Peyrou
About the exhibition project
From material space to virtual space: the web platform
Partners
To enable Pli to exist and grow up, partners and collaborators continue to commit to this third issue, believing in this project and supporting it. Schools, French and international institutions, architecture agencies, companies, artisans and associations are once again gathering to promote and support the practices of a new generation of creative personnalities.
École Nationale Supérieure d’Architecture de Versailles
École Nationale Supérieure d’Architecture de Saint-Étienne
Fondation CIVA de Bruxelles
Groupe Abvent
Pavillon de l’Arsenal
villa Noailles
étapes:
Kiblind
Antonin + Margaux, agence de communication
Brumm, films et formes
Librairie Mollat
Press
2017 – Pli : un 3ème numéro au bord du conflit, étapes:
October 2, 2017 – Pli #3, Kiblind
2 novembre 2017 – Sous Pli, Librairie Mollat
November 17, 2017 – Sous Pli : La revue se dénude au 308, Archicree
October 27, 2017 – Sous Pli, Conflits. L’envers d’une rédaction, architectes.org
November 21, 2017 – Revue Pli : Numéro 3, Muuuz
2017 – Sous Pli par Guillaume Ruiz, Brutalist websites